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	<title>liza wolters</title>
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	<pubDate>Sun, 13 Jul 2025 17:24:33 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://lizawolters.com/Index</link>

		<pubDate>Fri, 11 Jul 2025 21:55:22 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

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		<title>a constellation of freckles</title>
				
		<link>https://lizawolters.com/a-constellation-of-freckles</link>

		<pubDate>Sat, 12 Jul 2025 18:10:56 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

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a constellation of frecklesIn this site-specific studio installation, I brought together some particles of who I’ve met and what I found in New York, the exhausted/exhausting main character of it all (who I love and miss firmly). It turned out to be a pretty scattered gathering between it all, and I am pleased how everything came together for a brief moment, as attempts and gestures.Currently I’m making next steps for the works I started in NYC and are longer term projects. Next to MOTHERSTONES (moederstenen), I’ll be working on videoworks in the upcoming months that will bring together several recorded conversations I had about joy, grief, resistance and care. I am grateful for everyone I spoke to, and the trust they have in me and this project. 
My residency at NARS Foundation is kindly supported by the Mondriaan Fund, Gemeente Rotterdam, CBK Rotterdam, Bekker-La Bastide-Fonds and Fonds Kwadraat.</description>
		
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		<title>Clear as Mud (from my sticky lashes to yours)</title>
				
		<link>https://lizawolters.com/Clear-as-Mud-from-my-sticky-lashes-to-yours</link>

		<pubDate>Fri, 11 Jul 2025 21:55:26 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

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Clear as Mud (from my sticky lashes to yours)videowork, 2023The work Clear as Mud was created on invitation for the group exhibition Four Legs Good, Two Legs Bad&#38;nbsp;at Nieuw Dakota. In Four Legs Good, Two Legs Bad, animals — a duck, a donkey, two lobsters, several worms and a pig — are the artists. An animal whisperer gave them a voice, and human assistants brought their concepts to life. Hammie the Pig chose me to be their assistent, creating a rooting and thorough videowerk based on a day in the life of Hammie. The exhibition was created in the good company of other assistents Job Wouters, Frank Koolen, Marit Westerhuis, Yair Callender. With thanks to Ellis Kat and Layla van Steen. Special thanks to Kinderboerderij de Buiktuin, Rik, Michiel and Janne.
Cinematography – Rik KomáromiEdit – Rik Komáromi and Liza WoltersSound – Michiel de Boer Credit design – Janne Beldman




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documentation by Maarten Nauw





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		<title>Patient, Being</title>
				
		<link>https://lizawolters.com/Patient-Being</link>

		<pubDate>Fri, 11 Jul 2025 21:55:27 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4f7c93298892ecd5fe9400b134183b2381d59d8016e731f9f2c8b237b5749959/Zuyderland-telefoon-49.jpg" data-mid="236743870" border="0"  src="https://freight.cargo.site/w/1000/i/4f7c93298892ecd5fe9400b134183b2381d59d8016e731f9f2c8b237b5749959/Zuyderland-telefoon-49.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/19c3cd38c3ab6cffe86780a282b514d2ade785a5fb11126f171162fe3bfdc066/Zuyderland-telefoon-51.jpg" data-mid="236743871" border="0"  src="https://freight.cargo.site/w/1000/i/19c3cd38c3ab6cffe86780a282b514d2ade785a5fb11126f171162fe3bfdc066/Zuyderland-telefoon-51.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/9d54f8eb4f603eb3e0ddf8fec0668f2ad6ff2afecde52363a5f228057afb6688/Zuyderland-telefoon-52.jpg" data-mid="236743872" border="0"  src="https://freight.cargo.site/w/1000/i/9d54f8eb4f603eb3e0ddf8fec0668f2ad6ff2afecde52363a5f228057afb6688/Zuyderland-telefoon-52.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/1b1c7aa05d02dce79a07d81fd42b72a04474f6da4f3399206f42cefd78c0706a/Zuyderland-telefoon-38.jpg" data-mid="236743873" border="0"  src="https://freight.cargo.site/w/1000/i/1b1c7aa05d02dce79a07d81fd42b72a04474f6da4f3399206f42cefd78c0706a/Zuyderland-telefoon-38.jpg" /&#62;
Patient, BeingCollection installation for hospital Zuyderland Sittard, Geleen, 2025In the autumn of 2024, I’ve been spending time at the hospital Zuyderland Sittard-Geleen for multiple days. As paying visits to the hospital weekly myself in Rotterdam, the invitation to create a new work for Zuyderland resonates with my own daily life. I wanted to create work that reflects the intimacy of being there, wandering, hasting, waiting, not knowing. Often unsure until it’s sure, sure until it isn’t anymore. I got permission to walk around freely, talked to many people and I came close to the inside of the hospital as architecture and organized organ. I used various analogue cameras, capturing fragments of people, objects and the building. Both inside and outside, and in public and non-public areas of the hospital.The black-and-white background is a photograph of light shining through the leaves of a tree just outside in the surrounding park, while it could just as easily looks like you’re seeing through a microscope.


</description>
		
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	<item>
		<title>'It could be about ... (until the conversation ends and will continue to do something else)' </title>
				
		<link>https://lizawolters.com/It-could-be-about-until-the-conversation-ends-and-will-continue-to-do</link>

		<pubDate>Fri, 11 Jul 2025 21:55:28 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

		<guid isPermaLink="true">https://lizawolters.com/It-could-be-about-until-the-conversation-ends-and-will-continue-to-do</guid>

		<description>
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/53f1b37dfcff73b1b35d3a2d801c7db4a61b1b60bb4b19f334683ccc40890c13/Schermafbeelding-2021-09-03-om-21.44.50.png" data-mid="235694173" border="0"  src="https://freight.cargo.site/w/1000/i/53f1b37dfcff73b1b35d3a2d801c7db4a61b1b60bb4b19f334683ccc40890c13/Schermafbeelding-2021-09-03-om-21.44.50.png" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/7d73c676731b2d534ae4dfb3705632a5a0cd7bd90fa8c37282f5b43348836b8a/Schermafbeelding-2021-09-03-om-21.46.17.png" data-mid="235694174" border="0"  src="https://freight.cargo.site/w/1000/i/7d73c676731b2d534ae4dfb3705632a5a0cd7bd90fa8c37282f5b43348836b8a/Schermafbeelding-2021-09-03-om-21.46.17.png" /&#62;

&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/bf3f9aed8e98a249c5f67a134431f636f3081b502dff5c94f39c88e3f3d76caf/Schermafbeelding-2021-09-03-om-21.43.06.png" data-mid="235694178" border="0"  src="https://freight.cargo.site/w/1000/i/bf3f9aed8e98a249c5f67a134431f636f3081b502dff5c94f39c88e3f3d76caf/Schermafbeelding-2021-09-03-om-21.43.06.png" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b635ef7b94531271a362a65beddf337b107cf30086cf9ed6cfc550185aeb6333/Schermafbeelding-2021-09-03-om-21.42.38.png" data-mid="235694177" border="0"  src="https://freight.cargo.site/w/1000/i/b635ef7b94531271a362a65beddf337b107cf30086cf9ed6cfc550185aeb6333/Schermafbeelding-2021-09-03-om-21.42.38.png" /&#62;

&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b049c3a02a3c846501d7622238f3aa430b50df3edc91a58d0814699432a14646/Schermafbeelding-2022-01-06-om-16.23.47.png" data-mid="235694180" border="0"  src="https://freight.cargo.site/w/1000/i/b049c3a02a3c846501d7622238f3aa430b50df3edc91a58d0814699432a14646/Schermafbeelding-2022-01-06-om-16.23.47.png" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8c454c4b872baf4b55fcfcdc0e1a27a70fc34d403b64e4d5cc40df1388f30a85/Schermafbeelding-2022-01-06-om-16.24.19.png" data-mid="235694179" border="0"  src="https://freight.cargo.site/w/1000/i/8c454c4b872baf4b55fcfcdc0e1a27a70fc34d403b64e4d5cc40df1388f30a85/Schermafbeelding-2022-01-06-om-16.24.19.png" /&#62;
‘It could be about ... (until the conversation ends and we will continue to do something else)’
Video (’4:18), 2022

A site-specific video diptych for Concordia, Enschede (NL), bringing together moments of strolling around in the city and observing what’s happening and laying around in the streets.
</description>
		
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	<item>
		<title>There is a woman in the room (...)</title>
				
		<link>https://lizawolters.com/There-is-a-woman-in-the-room</link>

		<pubDate>Fri, 11 Jul 2025 21:55:29 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

		<guid isPermaLink="true">https://lizawolters.com/There-is-a-woman-in-the-room</guid>

		<description>&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/5cea0665c171f099e7be3ad89b630ae219928b61d18accf6e823344b6874aca7/DocumentatieHaL-RV-LW_Glitterstudio.jpg" data-mid="235694181" border="0"  src="https://freight.cargo.site/w/1000/i/5cea0665c171f099e7be3ad89b630ae219928b61d18accf6e823344b6874aca7/DocumentatieHaL-RV-LW_Glitterstudio.jpg" /&#62;&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/12f441c4a8fb4ac91458e005716c2767bc4e9ada15cee0c958a2a9a49c2111de/DocumentatieHaL-RV-LW_Glitterstudio_14.jpg" data-mid="235694183" border="0"  src="https://freight.cargo.site/w/1000/i/12f441c4a8fb4ac91458e005716c2767bc4e9ada15cee0c958a2a9a49c2111de/DocumentatieHaL-RV-LW_Glitterstudio_14.jpg" /&#62;&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/07b4000ce96c90a6ff57bac2e759697de29865e9f63a054efd2a73f6abc78531/DocumentatieHaL-RV-LW_Glitterstudio_12.jpg" data-mid="235694182" border="0"  src="https://freight.cargo.site/w/1000/i/07b4000ce96c90a6ff57bac2e759697de29865e9f63a054efd2a73f6abc78531/DocumentatieHaL-RV-LW_Glitterstudio_12.jpg" /&#62;&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/54bf9a0e77d49082ecbf6c84564bd95328ce289d978b01a1520e15c7c75e3a02/DocumentatieHaL-RV-LW_Glitterstudio_6.jpg" data-mid="235694185" border="0"  src="https://freight.cargo.site/w/1000/i/54bf9a0e77d49082ecbf6c84564bd95328ce289d978b01a1520e15c7c75e3a02/DocumentatieHaL-RV-LW_Glitterstudio_6.jpg" /&#62;&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/b647ab7f233413110ecd35135da0c6d251f7a5fc6f32a3cd3ee2f35c4d7caf68/DocumentatieHaL-RV-LW_Glitterstudio_58.jpg" data-mid="235694184" border="0"  src="https://freight.cargo.site/w/1000/i/b647ab7f233413110ecd35135da0c6d251f7a5fc6f32a3cd3ee2f35c4d7caf68/DocumentatieHaL-RV-LW_Glitterstudio_58.jpg" /&#62;Er is een vrouw in de kamer (There is a woman in the room)

In een andere kamer; ook een vrouw - andere tijd, andere ogen
(In another room; also a woman - other time, other eyes)Publication, 2022
Accompanied publication as reference work for the work period at Hilton Art Lab, toevluchtsoord, initiated with Raquel Vermunt and in collaboration with Emma van der Put, Laplander (Wouter van Nienes), Leopold/Emmen and Lorelinde Verhees.&#38;nbsp;

Graphic design publication by Glitterstudio 
Introductory text written by Lorelinde Verhees</description>
		
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	<item>
		<title>bodily metaphors of various kinds </title>
				
		<link>https://lizawolters.com/bodily-metaphors-of-various-kinds</link>

		<pubDate>Fri, 11 Jul 2025 21:55:30 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

		<guid isPermaLink="true">https://lizawolters.com/bodily-metaphors-of-various-kinds</guid>

		<description>
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/5487a27892fbf5708c722f20e69610588a9fcefca2624429f4b9428ffbc33193/Website_ErasmusMC-08.jpg" data-mid="235694194" border="0"  src="https://freight.cargo.site/w/1000/i/5487a27892fbf5708c722f20e69610588a9fcefca2624429f4b9428ffbc33193/Website_ErasmusMC-08.jpg" /&#62;
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/fa64333afe78d4ba63c39ba219b73001e7fab3fb7b7c769d2fdfc3d3524dba81/Website_ErasmusMC-07.jpg" data-mid="235694193" border="0"  src="https://freight.cargo.site/w/1000/i/fa64333afe78d4ba63c39ba219b73001e7fab3fb7b7c769d2fdfc3d3524dba81/Website_ErasmusMC-07.jpg" /&#62;
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&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/f15806126ce48eff771598620d4390d75b8a0e1cac4421e9525cccc1dff6ce2e/ErasmusMC.jpg" data-mid="235694202" border="0"  src="https://freight.cargo.site/w/1000/i/f15806126ce48eff771598620d4390d75b8a0e1cac4421e9525cccc1dff6ce2e/ErasmusMC.jpg" /&#62;
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/17bbbb7dc75472e70fc843ffca47da9cfadc0ab1d7759adf23c60fe9d7cbd42c/Website_ErasmusMC-02.jpg" data-mid="235694188" border="0"  src="https://freight.cargo.site/w/1000/i/17bbbb7dc75472e70fc843ffca47da9cfadc0ab1d7759adf23c60fe9d7cbd42c/Website_ErasmusMC-02.jpg" /&#62;
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bodily metaphors of various kindsVideo installation (5.55 min), 2023
bodily metaphors of various kinds is a video installation by visual artist Liza Wolters that focuses on the many layers involved in the process of organ transplantation. During this years’ Summer School of the Science Gallery,&#38;nbsp;the lively and profound conversations and sharings gave space to address the complexity and importance of transplantation. Every layer could exist in relation to each other: the personal, the ethics, the formal procedures, the treatments, the science, the research, the developments within modern technology, and a lot in between. The insightful days raised many questions, feelings and thought processes on how to relate to a body, as well as where it begins and ends. What it means to be sick, and to become unsick.


In the work, Wolters consciously scans several layers that are part of the organ transplantation process. Each layer is treated not only equally, but also as tissue, intertwined with each other. By treating body material as soft architecture, it’s not always clear where one embodiment starts and one ends, and the line between the human and the architectural, the non-human, and the body fades. As a red thread, the sewing of flower petals, symbolising the fragility of the human body, is a recurring motif throughout the installation. 


Cinematography – Rik KomáromiEdit – Rik Komáromi and Liza Wolters

With great thanks to&#38;nbsp;Science Gallery Rotterdam,&#38;nbsp;Fred Balvert,&#38;nbsp;Tess de Ruiter and Rawad Baaklini and all the fellows of&#38;nbsp;the summer school on Organ Transplantation&#38;nbsp;Saja Amro, Polina Balvert, Alcide Breaux, Isabella Clayton, Sandu Cojocari, (the sewing hands of) Helena Daher Gomes, Moosje M Goosen, Meryem al Fatly, Julia de Heide, Pragya Jain (PJ), Başak Kırıcı, Emily Liang, Kaja Majoor, Saran Munnichs, Claudia Oliveira, Elizabeth Racicot, Laura Rodrigues, Gizem Sivrikaya, Roosje Verschoor, Marleine van der Werf, and all the invited guests Erasmus MC Rotterdam Kees Nijs, Roeland de Wilde and everyone else who helped with filming.
all footage was filmed on Thursday, Sept. 21, at Erasmus MC Rotterdam.</description>
		
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	<item>
		<title>MOTHERSTONES (moederstenen)</title>
				
		<link>https://lizawolters.com/MOTHERSTONES-moederstenen</link>

		<pubDate>Sun, 13 Jul 2025 17:24:33 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

		<guid isPermaLink="true">https://lizawolters.com/MOTHERSTONES-moederstenen</guid>

		<description>
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MOTHERSTONES

During my first walk through the Greenwood Cemetery in New York, I noticed how&#38;nbsp;common the gravestones do not mention a name nor context about the passed away person - nor a glimpse of what they mean to the still living. No birth date or date of death, no personal line of a life lived. The only thing remaining and eternalized in stone, is the binary role someone had (and therefore, still has) in the biological family. I spent many hours at the cemetery and came across so many mothers, daughters, fathers, aunts and uncles, sometimes unclear to which family name someone still “belonged”. Often there was ‘his wife’ and not surprisingly, rarely ‘her husband’. Giving I have no father in my life, I organically was drawn to all the motherstones as a comforting act and it became an obsession to capture as many of them as I could. It may say something about absence or about presence: the obsession could have easily been the other way around. The motherstones represent for me ideas of mothership and caretakers, also apart from binary perspectives. And I kept thinking about the other, how deeply alienation is rooted and how someone (also, you) can exist outself yourself. Later, I found a beautiful stone on the streets, decided to carve for the other, whoever that may be, and return it to the cemetery. A death for alienation, and a recognization we are all, also, other.This project will be developed further.&#38;nbsp;</description>
		
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		<title>slippery waves of seeming</title>
				
		<link>https://lizawolters.com/slippery-waves-of-seeming</link>

		<pubDate>Fri, 11 Jul 2025 21:55:31 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

		<guid isPermaLink="true">https://lizawolters.com/slippery-waves-of-seeming</guid>

		<description>
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slippery waves of seeminginstallation and workshop, 2023
For A Tale of A Tub, Hilde Onis and I created an installation and workshop in which children were stimulated to think about lost and disoriented objects that have washed ashore. With different groups we thought about what it means to be of use, possible purposes, to change value and to transform. Within this, we took Sara Ahmed’s What’s the Use? as a starting point, talking and working around what it means to feel permission to enter a space and how a bird nor a mailbox is able to go to the police.&#38;nbsp;

With great thanks to Lisanne Janssen, Erika Rou and Julia Geerlings from A Tale of A Tub and alle the participants.</description>
		
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	<item>
		<title>The Things That Find Us</title>
				
		<link>https://lizawolters.com/The-Things-That-Find-Us</link>

		<pubDate>Fri, 11 Jul 2025 21:55:33 +0000</pubDate>

		<dc:creator>liza wolters</dc:creator>

		<guid isPermaLink="true">https://lizawolters.com/The-Things-That-Find-Us</guid>

		<description>


slippery waves of seeminginstallation and workshop, 2023
For A Tale of A Tub, Hilde Onis and I created an installation and workshop in which children were stimulated to think about lost and disoriented objects that have washed ashore. With different groups we thought about what it means to be of use, possible purposes, to change value and to transform.&#38;nbsp;Within this, we took Sara Ahmed’s ‘What’s the Use?’ as a starting point, talking and working around what it means to feel permission to enter a space and how a bird nor a mailbox is able to go to the police.&#38;nbsp;

With great thanks to Lisanne Janssen, Erika Rou and Julia Geerlings from A Tale of A Tub and alle the participants.</description>
		
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